Abimbola Adunni Adelakun
Abimbola Adunni Adelakun (yin jiji to azán fọntọ̀ntọ Zósun) to otogbó Naijilia tọn mẹ.
Otàn gbẹzan etọn tọn jlado
E yin jiji to Ibadan, to huwaji-wheyihọ Naijilia tọn, bo yi wehọmẹ alavọ Ibadan tọn. E mọ gbedewema daho yi to nupinplọn gando lehe ye nọ dotoai, kanwé,hiawe na gbẹtọ lẹ. Podọ e sọ yi gbedewema daho hugan to owedúdú mẹ to wehọmẹ alavọ Texas, Austin tọn mẹ. E wazọn po linlinwhe (The Punch newspaper) tọn to Awọnlin, to togbo Naijilia tọn mẹ, taidi Wekantọ́ de. E plọnwe gando aṣa egbezangbe aflika tọn go podo lehe ye sọgan nọgbẹ bosọ yin didohia gbọn mẹpọnnu oplọn tọn dali, ada, Aflikanu. E kan owe voovo lẹ he ko yin Zinzinjẹ̀gbonu do linlinwe voovo mẹ ehe bẹ kandai yọnnu po sinsẹn, kandai aṣa po nupinplọn gando yọnnu Aflikanu tọn hẹn. Owe he é Kan lẹ sin hosọ lẹ wẹ: (‘Coming to America: Race, Class, Nationality and Mobility in “African” hip hop’ 2013; Pentecostal Panopticism and the Phantasm of “The Ultimate Power” 2018; The Spirit Names the Child: Pentecostal Names and Trans-ethics’ 2020; ‘Black Lives Matter! Nigerian Lives Matter!: Language and Why Black Performance Matters’ 2019; ‘Pastocracy: Performing Pentecostal politics in Africa’ 2018; ‘Godmentality: Pentecostalism as performance in Nigeria’ 2017; ‘The Ghosts of Performance Past: Theatre, Gender, Religion and Cultural Memory’ 2017; ‘Spectacular Prophecies: Examining Pentecostal Power in Africa’ 2017; ‘Remixing Religion: An Interdisciplinary Graduate Student Conference’ 2014; ‘Yoruba Studies Review’ and ‘I am hated, therefore I am: The Enemy in Yorùbá Imaginary’). Ewọ wẹ yin dowatọ́ otanwe he hosọ etọn yin: Under the Brown Rusted Roofs tọn.